Ben Bones & The Conventional Murders proofing is done (again) and I’ve ordered a second proof from CreateSpace. It’s been a slog, but I have confidence in the story, the quality of the writing, my writer’s “voice.” It’s a good little book. You see, it all begins when Ben goes to Asheville, North Carolina to attend a genealogical convention. He’s planning a relaxed weekend with professional colleagues, but the bodies begin to pile up. Why? Is it the $100,000 book contract that’s up for grabs? The bastardy bond problem soon after the Civil War and Emancipation? Professional jealousies? Sheer cussedness? You’ll have to read the book to find out. It’s available as a physical book and on Kindle.
And now, I’m digging into the re-plotting of Ben Bones & The Uncivil War. This one deals with wartime betrayal and two brothers who decide to fight on opposite sides. But that’s only where the story begins. Ben Bones lives in the present, and it’s here and now that he has to deal with the ramifications of the betrayal, people’s jealousies, and a war that some people simply refuse to let go of.
Meanwhile, I’ve discovered issues at benbones.com. Looks like I have to rebuild the website. OMG, indeed! There’s never an end to all this, is there?
I wanted to write a NaNoWriMo this year (2014) and began with great enthusiasm using an old science fiction idea from 1972. Unfortunately, I bogged down on Nov 7 at approx. 9100 words with a great idea, a handful of unlikely characters in similar but varied troubles, and a static situation… but I didn’t have a plot.
I flailed around for a few days, adding a few words here and there, changing others, but not making any forward progress. When I was a week behind the word quota of almost 12,000, I gave up the idea of doing the story as a NaNoWriMo project. Instead, I dove into the libraries, my own writing library and the public libraries, and read everything I could find on plot and plotting. The bottom line: plot derives from conflict. I had no conflict. What to do? What to do? (Wring hands here.)
Today is Nov 26. I awoke at 4am this morning knowing what the story is about. It’s essentially a dystopian escape story: people trapped in the future (I already knew that), some 400+ years in the future, on an island created by sea level rise, the remnants of civilization in desperate straits, populations depleted and demoralized by disease, pollution, resource wars… and those in control are afraid that the cyrogens’ ideas will cause revolution. They are kept isolated from the world on their island. What they do about their situation is the story I can now dig into and begin to write.
The characters will remain, but the situation has evolved now that I know they are on an island. I need a protagonist, though he/she won’t have a square jaw and wear a white hat. He/she is a victim like the rest, but will be the leader who changes the situation for all. I’m off to the races. The slog now begins. This is the writing process & how it works.